Dispatch #23
On New Music Beyond the Middle Lands
What I’ve Been Listening to in October: Bill Orcutt
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Dispatches from David Biddle on music, mind, and the strange currents that shaped Sound Effect Infinity — a novel 50 years in the making.
Dispatch #23
What I’ve Been Listening to in October: Bill Orcutt
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Reasons why we developed communication
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Listen, but only if you're willing to be altered
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The loneliness of the unlistening.
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The growing chasm at the center of our country
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Paloma by Loma Suyo
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Bedroom and back-porch players, a notebook of unfinished songs, and the mysterious Somewhere Else that art comes from.
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Loud guitar, CIA paranormal research, crossroads myths, flyover country, and two Columbia loners.
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How one video on zero-point energy inspired the finale of my new novel.
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Hidden gems sitting right between the lines.
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The gifts of your artistry are the ones that last.
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Thirty years later, I finally decided to prove him wrong.
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Why I stopped “practicing” music 50 years ago, and why I haven’t failed since.
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An ethnobotanist, philosopher, and psychologist (among other things).
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Jack DeJohnette’s Sound Travels — piano, percussion, global jazz, and the blues standard that still shows up in warmups.
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After fifty years of guitar, twenty minutes of noodling, and the mysterious natural high of waking up your own musicality.
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Paul McCartney, Miles Davis, Louis Armstrong, and the human magic of jazz, blues, and jam bands.
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What it means to actually listen to music — memory, expectation, and how deep sound goes inside.
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Mixed-race America, the limits of racial labels, and who we might become by 2052.
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What I've Been Listening to Here in June — SUSS and the ephemeral beauty of ambient music.
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Myths from a Missouri childhood, Nate Hofer's pedal-steel in an Atlas silo, and the Subterranean LSD Palace.
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From a bestseller pitch to CIA experiments, paranormal fringe, and the physics of sound.
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How a summer night in 1968 sparked a lifelong search for the magic inside music.
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